A multiple component installation that seeks to incorporate a wearable sound sculpture to formally and acoustically represent and reanimate the dodo bird.
The Crooked Beak of Heaven seeks to artificially resurrect extinct species, namely the dodo bird, whilst drawing metaphoric parallels to extinct forms of technologies through sound and form. It is to be realized in a combination of interactive costume and performance because I am interested in exploring the nostalgia for things that are extinct, as mixed with our fascination and fear of obsolescence.
